Gatecreeper - Dark Superstition

Ltd Purple Vinyl

The new wave of American death metal needs a breakout album, and Dark Superstition is it. 

Gatecreeper’s third full-length sees the Arizona death metal specialists—vocalist Chase H. Mason, guitarists Eric Wagner and Israel Garza, drummer Metal Matt Arrebollo and bassist Alex Brown—carving out their own path. The band’s first album for Nuclear Blast is more concise, melodic, and memorable than anything they’ve done in the past. “We refined the song structures,” Mason says. “We’re getting better at what we do.”

Think of Dark Superstition as Gatecreeper’s answer to Entombed’s Wolverine Blues or Dismember’s Massive Killing Capacity, pivotal albums on which the songs got tighter and more rock influenced. Or even Paradise Lost, who went even further in a rock direction with albums like Icon and Draconian Times. “In the mid-90s, all those bands were evolving into doing their own thing,” Mason says. “I feel like we’ve incorporated that timeline into Gatecreeper.” 

Dismember played a particularly prominent role in Dark Superstition. The band’s drummer and main songwriter Fred Estby flew to Arizona to work with Gatecreeper in pre-production, helping them put the finishing touches on their songs. You can hear that classic Swedish influence on “Masterpiece of Chaos,” which evokes the tried-and-true Gatecreeper of Sonoran Depravation. Mason describes the track as “A nightmarish vision of a broken mirror with an ominous creature that lives within the fragmented web of glass.” 

The new wave of American death metal needs a breakout album, and Dark Superstition is it. 

Gatecreeper’s third full-length sees the Arizona death metal specialists—vocalist Chase H. Mason, guitarists Eric Wagner and Israel Garza, drummer Metal Matt Arrebollo and bassist Alex Brown—carving out their own path. The band’s first album for Nuclear Blast is more concise, melodic, and memorable than anything they’ve done in the past. “We refined the song structures,” Mason says. “We’re getting better at what we do.”

Think of Dark Superstition as Gatecreeper’s answer to Entombed’s Wolverine Blues or Dismember’s Massive Killing Capacity, pivotal albums on which the songs got tighter and more rock influenced. Or even Paradise Lost, who went even further in a rock direction with albums like Icon and Draconian Times. “In the mid-90s, all those bands were evolving into doing their own thing,” Mason says. “I feel like we’ve incorporated that timeline into Gatecreeper.” 

Dismember played a particularly prominent role in Dark Superstition. The band’s drummer and main songwriter Fred Estby flew to Arizona to work with Gatecreeper in pre-production, helping them put the finishing touches on their songs. You can hear that classic Swedish influence on “Masterpiece of Chaos,” which evokes the tried-and-true Gatecreeper of Sonoran Depravation. Mason describes the track as “A nightmarish vision of a broken mirror with an ominous creature that lives within the fragmented web of glass.” 

Genre: Death Metal /Metal