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As such, water is the perfect elemental theme for \"Aion\", the third album of German psychedelic doom contenders BEES MADE HONEY IN THE VEIN TREE. Lyrically, water is present on \"Aion\" both for it's life-giving quality but also it's darker and more ominous side. Musically, BEES MADE HONEY deliver spacious, dynamic compositions that move from drifting tranquility to raging power. A constant tidal movement of ebb and flow translates into spaced-out guitars, pounding bass-lines, and dripping drum-fills, crowned by echoing clean vocals. The album title derives from the Greek word ἀιών (aiṓn), which translates as 'eternity' and has come to denote 'ages' in the English word 'aeon'. BEES MADE HONEY IN THE VEIN TREE were founded in the German city of Stuttgart in 2014. With all four members having grown up together since childhood and coming from an academic background, the band had a clearly defined goal right from the start: to contrast crushing doom metal riffs with the spheric sounds of post- and psychedelic rock. BEES MADE HONEY laid down their musical template with the debut album \"Medicine\" in 2017, which provided the solid foundation of their ever-evolving sound. Their sophomore full-length \"Grandmother\" (2019) expanded the sonic horizon through lower tuning, densely layered effects, faster passages, and harder vocals. The Germans also started performing live at home and abroad to continuously growing audiences, which led to the recording and release of \"Harvestmen (live)\" in 2022. 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New York-based GUHTS (pronounced ‘guts’) declare themselves to be an ‘avant-garde post-metal project, delivering larger than life sounds through, deeply emotional music’. We are thrilled to be able to deliver that statement in the form of their debut album ‘Regeneration’. By their own admission, GUHTS' musical style is influenced not only by iconic metal bands like Gojira, Cult of Luna, YOB and Deftones, but more unconventional acts like Bjork, Subrosa, Isis, Julie Christmas, and even PJ Harvey. It’s undoubtedly heavy, with a strong feminist streak, it’s cathartic and weighty, a formidable debut for such a new band. Founded in 2020 as a passion project by Scott Prater (Witchkiss), and Amber Burns (Witchkiss) and then Dan Shaneyfelt (Black Mountain Hunger), GUHTS became its members’ main focus following the release of their first EP 'Blood Feather' which itself received rave reviews from the likes of Decibel Magazine, Invisible Oranges, The Obelisk, Cvlt Nation, and more. Brian Clemens Sleaping Dreaming) \u0026amp; Daniel Martinez (Nefariant) joined GUHTS in 2022 and the band swiftly started booking tours and making plans to record 'Regeneration'. Since then GUHTS have been steadily making a name for themselves with their powerful live performances., sharing stages with the likes of Yob, Cave in, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarissa Nadler, plus appearances at the Maryland Doom Fest, Crucial Fest and Ohio Doomed and Stoned Fest. ‘Regeneration’ is set to cement their status as one of the coolest and most interesting bands on the scene. Of the album, vocalist Amber says. \"Regeneration\" symbolizes the power of self-renewal, often overlooked. Embracing it means shedding old layers and welcoming new beginnings. Without this, life stagnates and is “sustaining”. Through regeneration, change becomes empowering, allowing new facets to emerge. It's a courageous, transformative process, inspiring others to overcome fear and embrace change. The album embodies the human spirit's resilience and capacity for growth. Musically ‘Regeneration’ is a powerful and intense series of songs, topped off by some seriously powerhouse and expressive vocal performances. It’s slow-moving chords, moving like sheets through sludge. High guitar lines above, ranging from piercing and shimmering to nasty. Drums pound but not without groove. There are strings, pianos and synths widening the palette. Atmospheric sludge, Metalgaze, maybe, but there’s also that link to the New York Noise lineage from The Velvets and Sonic Youth, becoming a type of post-hardcore in the process, while gaining a connection to metal partly due to the sheer heaviness. A raft of creative experimentation that pushes beyond the realm of post-metal. And then of course, the very first thing that hits you is Amber Gardner's unbelievable, hypnotising vocals - as scary as a banshee while also intimate and persuasive. Amber means it for sure and almost dominates the proceedings. Her lyrics are eclectic, thoughtful. Immersed in women's narratives frombooks like \"Women Who Run With the Wolves\" or works like \"On Our Best Behavior\" by Elise Loehnen. Amber advocates stepping beyond comfort zones, believing it's transformative for individuals and vital for Earth's future. Hokey occult rock it is not. In short ‘Regeneration’ is a bold and startling debut, that will reward and enthral listeners the deeper they delve into its many layers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: Stoner Rock \/ Post Metal \u003c\/strong\u003e\u003c\/p\u003e","brand":"Tough Love St Leonards","offers":[{"title":"Default Title","offer_id":44315311800550,"sku":"NHSLP049C","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/5979\/9782\/files\/image_74ac8e22-f81a-4faa-8fbe-aae9ac0042e7.jpg?v=1708447397"},{"product_id":"everything-everything-mountainhead","title":"Everything Everything - Mountainhead","description":"\u003cp\u003e\u003cspan\u003eIn another world, society has built an immense mountain To make the mountain bigger, they must make the hole they live in deeper and deeper. All of society is built around the creation of the mountain, and a mountain religion dominates all thought. At the top of the mountain is rumoured to be a huge mirror that reflects endlessly recurring images of the self, and at the bottom of the pit is a giant golden snake that is the primal fear of all believers. A “Mountainhead” is one who believes the mountain must grow no matter the cost, and no matter how terrible it is to dwell in the great pit. The taller the mountain, the deeper the hole.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: Alt Indie \/ Electronica\u003c\/strong\u003e\u003c\/p\u003e","brand":"Tough Love St Leonards","offers":[{"title":"CD","offer_id":44366347796710,"sku":"4050538996050","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/5979\/9782\/files\/image_ea5d8a30-ecf1-452b-b3b1-8e3ac1145d6e.jpg?v=1709824856"},{"product_id":"the-black-crowes-happiness-bastards","title":"The Black Crowes - Happiness Bastards","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe Black Crowes are leaving the bullshit in the past. 15 years after their last album of original music, the Robinson Brothers present 'Happiness Bastards' their 10th studio album. Some may say the project has been several tumultuous years in the making, but we argue it's arriving at just the right time. Call it brotherly love or music destiny that brought them back together, the highly anticipated record consecrating the reunion of this legendary band just may be the thing that saves rock \u0026amp; roll. In a time where the art form is buried beneath the corporate sheen of its successors, The Black Crowes are biting back with the angst of words left unsaid penned on paper and electrified by guitar strings, revealing stripped, bare-boned rock \u0026amp; roll. No gloss, no glitter, just rhythm and blues at it's very best - gritty, loud, and in your face.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eGenre: Southern Rock \/ Blues Rock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. Bedside Manners\u003cbr data-mce-fragment=\"1\"\u003e2. Rats and Clowns\u003cbr data-mce-fragment=\"1\"\u003e3. 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Initially working at Gardener’s own OX4 studio, there were extended jams from which pieces of music would be honed upon and reworked into something more concise whilst each band member also brought in their own home-recorded demos to work from too. That everything was filtered through what happens when the four-piece play in a room together is alluded to the record’s title.\u003c\/p\u003e\n\u003cp\u003eAfter a year or so of sporadic sessions at OX4, the record started to take a more defined shape when, at producer Richie Kennedy’s suggestion, they decamped to Vada Studios in the Midlands. Kennedy, who was part of Erol Alkan’s team on Ride’s previous two records, had entered the sessions as a spare pair of hands but his role grew organically into producer. He became a crucial part of Interplay’s creation – the band credit him as a galvanising force when they were running out of steam. \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eInterplay\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a rich listen that flows from start to finish, at times urgent and formidable, at others wistful and melancholic. It's the sound of a great British band hitting a second peak. It’s a record about perseverance, about sticking together, about finding a way forward. 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