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A minimal serenade for austere times; an off-kilter romance of voice and instrument compared to the brevity of early Bjork, featuring Foster’s fragile, hushed vocal, straight from old weird America, brought to life by way of Ajemian’s bowed bass and effects, with a nod to the traditional English folk of yore in its construction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGenre: Folk \/ Lo-Fi Indie\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003e1. I Want To\u003cbr\u003e2. No More Lamps In The Morning\u003cbr\u003e3. Mountain Song\u003cbr\u003e4. Good Times\u003cbr\u003e5. I Am A Guest In Here\u003cbr\u003e6. Lulu Fellows\u003cbr\u003e7. First Kiss\u003cbr\u003e8. The Left Garden\u003cbr\u003e9. Pansies, Will You Ever Grow?\u003cbr\u003e10. 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Perhaps the ancient gods of joyful music have decided to bless their own sons with some new miraculous extracts? \"Whenever I start writing something new, the material always finds its own path without any forcing - that stuff just comes from somewhere deep inside me, completely naturally\", commences Jonne Järvelä. It is clear that Korpiklaani's new lyrics once again have many distinctive Finnish themes, and many of the stories are related to northern landscapes, old myths and so on - and of course, getting drunk and going to the sauna. What makes the difference to the previous records is that Korpiklaani head honcho's lyrics definitely have their own recognizable twist.\u003c\/p\u003e\n\u003cp\u003e\"There are a few reasons for this. It's been a while since I moved from the city to the countryside. I live in the middle of forests, there are many beautiful lakes and so on - and many of Korpiklaani's new lyrics are directly inspired by these wonderful landscapes. 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Related to this, I would dare to say that folk instruments have never been such an essential part of our sound\", insists Järvelä.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: Finnish Folk \/ Folk Metal \u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-jnOGJG iFTfet\"\u003e\n\u003cdiv class=\"sc-hIUJlX kqYSIu\"\u003e\n\u003cdiv class=\"sc-fxwrCY ecJDr\"\u003e\n\u003cdiv class=\"sc-oBxuN jLvgXR\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Tough Love St Leonards","offers":[{"title":"Vinyl","offer_id":45069846806758,"sku":"4065629716011","price":36.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/5979\/9782\/files\/Korpiklaani_-_Rankarumpu_1500px_90566321_thumbnail_1024.webp?v=1718121843"},{"product_id":"eivor-enn","title":"Eivør - Enn","description":"\u003cp\u003e\u003cstrong\u003eFirst Pressing on Black Vinyl Ltd to 1400 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEivør calls her Nordic home in the remote Faroe Islands a landscape of extremes. Sitting in the North Atlantic Ocean just above Scotland and southeast of Iceland, with a total population of about 50,000, the climate is “full of contrasts—very dark, heavy winters and bright summers.” Growing up in a small village there, of about 400 people, it’s those contrasts that have inspired Eivør’s music throughout her career.              Often considered to be one of the most prolific and unique Nordic artists of her generation, Eivør has released 11 studio albums to date, crossing musical genres and always pushing the envelope of the expected. Awarded with the Nordic Council Music Price in 2021, Eivør’s musical journey continues to fascinate and has seen her perform across the globe; from Europe’s biggest festival stages to providing the soundtrack to Netflix’s hit series The Last Kingdom and the video game God of War: Ragnarök.       Her forthcoming new album ENN ties back to Eivør’s Nordic roots. Most of the lyrics, sung entirely in Faroese, were penned in collaboration with the Faroese poet Marjun Syderbø Kjelnæs. Eivør calls the lyrics to the title track especially “hardcore.” The song is about war—“the wars that are going on in the world especially lately, but that have always been going on,” Eivør says, “and how to find a glimpse of light in this overwhelming darkness.” The guttural penultimate track, “Upp Úr Øskuni,” is a thrilling outlier mixing growling beatboxing with visceral throat singing (it’s certainly Eivør’s most metal moment). \u003c\/p\u003e\n\u003cdiv\u003eENN stands out among Eivør’s discography as a bold new venture. Her debut for Season of Mist, the album leans heavier into dark electronics. Her new Prophet-5 synthesizer hardly made it out of the box before she keyed up “Hugsi Bert Um Teg”, a swooning bit of dream-pop that dances like the colors of the milky way.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eOn a grand scale, ENN follows a cosmic arc. The title track is a symphonic, war-torn space odyssey. But the album also dwells on more earthly concerns. Lead single “Jardartra” is told from the perspective of a wounded mother earth, who calls to us with a steadily thumping bassline that’s as dark and warm as our planet’s molten core. “Come lie down in my blue embrace”, Eivør sings, reaching into her operatic register, as if beckoning us toward the light.      \u003c\/div\u003e\n\u003cdiv\u003eOn ENN, Eivør moves heaven and earth.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eGenre: Nordic Pop \/ Electronica \/ Ethereal\u003c\/strong\u003e\u003c\/div\u003e\n\u003c!----\u003e","brand":"Tough Love St Leonards","offers":[{"title":"Vinyl","offer_id":45172599292134,"sku":"SOM804LP","price":29.0,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":45172599324902,"sku":"SOM804D","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/5979\/9782\/files\/SOM804D.jpg?v=1720628965"},{"product_id":"shackleton-six-organs-of-admittance-jinxed-by-being","title":"Shackleton \u0026 Six Organs Of Admittance - Jinxed by Being","description":"\u003cp\u003e\u003cstrong\u003e2 x Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhat might appear to be the most unlikely collaboration of 2024 proves also to be one of the most invigorating listens of the year! Shackleton and Six Organs of Admittance are in full aural \/metaphysical alignment in their mutual effort to become\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eJinxed By Being\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eOn first listen, it becomes immediately clear that this fusion of Shackleton’s bass-heavy cosmic dread and Six Organs’ ritual folksong makes total sense. Longtime listeners know that both Shackleton and Six Organs of Admittance have been unafraid to pursue their muse into any and all encroaching depth of darkness or outer boundary of potential dissonance — in fact, that has always been their default mode, finding more of resonance way out there in the process.\u003c\/p\u003e\n\u003cp\u003eThey also share that ol’ maverick psychedelic ritual transcendental music vibe, don’t they? And a fascination with repetition and cycles. And a mutual inspiration drawn from alternative tunings and literature...all this considered, it’s been basically inevitable that Ben Chasny and Sam Shackleton would work together.\u003c\/p\u003e\n\u003cp\u003eIt took a while for them to find each other—and once they did, it was almost eerie, how preordained it felt. When the music started coming, though — that’s when it got really eerie. The mood rises from the music like smoke, a sure signal of total integration.\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eJinxed by Being\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efinds Shackleton and Six Organs of Admittance delighting in their synthesis. Reveling in the unique sonic textures found in the collage, they launch small details that unfold into a massive space, then fracture into multiple lines of dimensional reality, crossing the stereo spectrum with enervating motility.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: Dark Folk \/ Electronica \/ Esoteric\u003c\/strong\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Tough Love St Leonards","offers":[{"title":"Default Title","offer_id":45179430109414,"sku":"DC893","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/5979\/9782\/files\/Jinxed_by_Being_7712b59e_thumbnail_1024.webp?v=1720781352"},{"product_id":"bellza-goldfish","title":"Bellza - Goldfish *Signed Copy*","description":"\u003cp\u003eHastings folk singer songwriter Bellza releases her debut on the Music's Not Dead label.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Goldfish is now out everywhere and this is genuinely one of the most important moments of my life. 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Named top EP of 2023 by Stereogum, Paste, FLOOD Magazine. Lead single “Love On The Outside” premiering on SiriusXMU. EP single “Spinning” in rotation + recent session on SiriusXMU. Support dates with American Football, MJ Lenderman, Narrow Head, Tanukichan and more. You could call Wishy’s story a lucky one. After prior monikers and iterations, Wishy was born as a kaleidoscope of alternative music’s semi-recent history, with traces of shoegaze, grunge and power-pop swirling together. On Triple Seven, Indiana songwriters Kevin Krauter and Nina Pitchkites’ musical synergy proves itself to be a rare one–the kind that sounds like someone striking gold. Part sly wink and part warm gratitude, it’s only fitting their much anticipated full length debut is titled Triple Seven, where Wishy’s penchant for indelible hooks is couched equally in pillowy atmospherics and scathing distortion. By day Krauter works as a music teacher, giving drum and guitar lessons to students, while Pitchkites is a seamstress by trade and often makes embroidered merch for the band. Coming up in a scene defined by hardcore and emo, Krauter and Pitchkites instead found themselves writing melodies in their heads while driving to work, pulling music from the air and arriving at a blearier, more ethereal interpretation of Midwest expanse. Initially, their music oscillated between hazy dream-pop and heavier alt-rock. The subject of their songs create a loose web of vignettes and snapshots, capturing Krauter and Pitchkites in a whirlwind couple of years exiting the pandemic, embarking on an embryonic project, making sense of their musical pasts while forging a musical future alongside one another, each of them on a journey of self-acceptance and self-understanding. Sometimes gorgeous, sometimes festering, and always cathartic, Triple Seven is a vibrant and exhilarating document of self-discovery with the scope and heft of the bygone big-budget rock albums that inspired it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: Folk \/ Alt Rock\u003c\/strong\u003e\u003c\/p\u003e","brand":"Tough Love St Leonards","offers":[{"title":"Default Title","offer_id":45290817388774,"sku":"NOQ092LP","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/5979\/9782\/files\/Sandy_Bull_-_Still_Valentines_Day_1969_dd3dd100_thumbnail_1024.webp?v=1724427604"},{"product_id":"katy-j-pearson-someday-now","title":"Katy J Pearson - Someday, Now","description":"\u003cdiv class=\"sc-hLwbiq eAuMSc\"\u003e\n\u003cdiv class=\"sc-duAPit fdQKOG\"\u003e\n\u003cp\u003e\u003cstrong\u003eTransparent Blue and White Marbled Vinyl \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFollowing 2020’s \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eReturn\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e and 2022’s \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eSound of the Morning\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eSomeday, Now\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e sees Pearson’s signature acoustic-led, sweetly-voiced singer-songwriter fare transmuted through the desk of electronic producer Nathan Jenkins, aka Bullion [whose previous credits include Carly Rae Jepsen, Ben Howard, Nilüfer Yanya and Avalon Emerson]. After a period of burnout, self-enforced exile from music-making, and solo travel, Pearson came back to her practice with clarity of mind and vision. “I knew exactly who I wanted to work with, I knew exactly who my session band were going to be, I knew where I wanted to record. It felt like I was finally calling the shots for myself, and that was so empowering”, she reflects. Having shied away from pop music since the souring of an early-career relationship with a major label (“it made me terrified of pop”), \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eSomeday, Now\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e showcases the songwriter’s natural knack for a hook — presenting ten glistening tracks which are pop by nature, rather than design or demand. “I’ve found my way back to myself”, she summarises. It is a move both metaphorical and literal: Jenkins did not push Pearson to sing at the very top of her impressive vocal range, and helped her train herself out of an accidental American twang — instead making room for her to sing in her natural accent, cut soft by sandy Gloucestershire limestone. “Although Bullion was at the helm, I felt there with him, like we were co-producing. I felt so involved in my own music, which is ridiculous to have to say — but sadly, I think as a woman, it takes a long time to be confident in your assurance of what you’re trying to make; to trust yourself sonically in a studio setting.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: Alt Indie \/ Alt Folk\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tough Love St Leonards","offers":[{"title":"Vinyl","offer_id":45373409034470,"sku":"HVNLP226C","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/5979\/9782\/files\/Copy_of_KJP_-_SOMEDAY_NOW_b8496f21_thumbnail_1024.webp?v=1726929309"},{"product_id":"the-waeve-city-lights","title":"The WAEVE - City Lights","description":"\u003cp\u003e\u003cstrong\u003e2 x Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBritish Folk-Rock Post-Punk duo, The Waeve, return with their latest guitar driven romp, \u003ci\u003eCity Lights\u003c\/i\u003e. \u003c\/p\u003e\n\u003cp\u003eGraham Coxon (Blur) and Rose Elinor Dougall return with the follow-up to last year's acclaimed eponymous debut. Produced by James Ford (Fontaines DC, Arctic Monkeys), the record features both artists on vocal duties in addition to playing a host of instruments including saxophone, keyboards and drums. The WAEVE have established themselves as a songwriting partnership to watch and with \u003ci\u003eCity Lights\u003c\/i\u003e they further push the boundaries of their collaborative creativity, using this album to chronicle the evolution of their relationship and forays into parenthood. \u003ci\u003eCity Lights\u003c\/i\u003e is presented in a beautiful gatefold sleeve designed by Matt de Jong (Blur, Arlo Parks).\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: Alt Folk \/ Post Punk \/ Alt Indie\u003c\/strong\u003e\u003c\/p\u003e","brand":"Tough Love St Leonards","offers":[{"title":"Vinyl","offer_id":45381087461606,"sku":"TRANS806X","price":34.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":45381087494374,"sku":"TRANS806CD","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/5979\/9782\/files\/waeve.webp?v=1727354785"},{"product_id":"kaktus-einarsson-lobster-coda","title":"Kaktus Einarsson - Lobster Coda","description":"\u003cdiv class=\"sc-jztukc dRIXJV\"\u003e\n\u003cdiv class=\"sc-cbPlza fqJdKv\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-fxwrCY sc-dIHSXr fVLMkS bNmyLa\"\u003e\n\u003cp\u003e\u003cspan class=\"sc-eLtQCx bbBnDZ\"\u003e\u003cstrong\u003eLtd Cream with Red Yolk Vinyl\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIcelandic indie-pop songwriter Kaktus Einarsson releases his second album \u003ci\u003eLobster Coda\u003c\/i\u003e. Amidst a collection of lush, electronic earworms, Kaktus has penned an honest account of his recovery from a sudden functional neurological disorder (FND) that required him to relearn how to use his motor functions, while also performing his duties as a new father.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eLobster Coda\u003c\/i\u003e incorporates dreamy, glistening synth-pop and melancholic ambience, created through layers of atmospheric keys, percussion, and groove-laden funk bass. Kaktus details his journey following a stress-induced nonepileptic seizure that halted his brain’s ability to communicate with the rest of his body, resulting in losing control of his legs, arms and causing involuntary facial tics. Crucially, he spent months on a course of physical therapy while also trying to care for his children and his partner, that by his own admission he then needed to reconnect with. With an occasionally brutal candour, Kaktus’s new album is about taking the time to reflect and recognise changes that need to be made, to listen to your body, and to trust the process no matter how long it might take.\u003c\/p\u003e\n\u003cp\u003eAlbum standout ‘Be This Way’ merges the darker post-punk of his previous Fufanu material with glacial pop and additional vocals from Nanna, of the Icelandic band Of Monsters And Men.\u003c\/p\u003e\n\u003cp\u003e‘Gumbri’ features long-time friend and collaborator Damon Albarn. The Blur\/Gorillaz frontman and Kaktus have known each other for many years, Kaktus played trumpet on ‘Stop The Dams’ at age 15, and shortly after he was flown to London to work on Damon’s debut solo album ‘Everyday Robots’, which they then toured together. Kaktus also engineered ‘Maison Des Jeunes’ for the Africa Express project that Albarn launched.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre: Icelandic Pop \/ Alt Indie \/ Nordic\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tough Love St Leonards","offers":[{"title":"Vinyl","offer_id":45460496220390,"sku":"TPLP1935LTD","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/5979\/9782\/files\/kaktus.webp?v=1729770585"},{"product_id":"maud-the-moth-the-distaff","title":"Maud the Moth - The Distaf","description":"\u003cp lang=\"x-size-12\" style=\"margin: 10px 0px; padding: 0px; color: rgb(242, 242, 242); font-family: Helvetica; font-size: 14px; line-height: 21px; caret-color: rgb(242, 242, 242); font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -moz-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; text-align: left;\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eExclusive Ltd Red Vinyl\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"x-size-12\" style=\"margin: 10px 0px; padding: 0px; color: rgb(242, 242, 242); font-family: Helvetica; font-size: 14px; line-height: 21px; caret-color: rgb(242, 242, 242); font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -moz-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; text-align: left;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eMaud the moth, the solo project of Spanish-born and Scotland-based pianist, singer and songwriter \u003cstrong\u003eAmaya Lopez-Carromero\u003c\/strong\u003e announces her new album, \u003cstrong\u003e\u003cem\u003eThe Distaff, \u003c\/em\u003e\u003c\/strong\u003eto be released via The Larvarium (digital +CD) and La Rubia Producciones (vinyl)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"x-size-12\" style=\"margin: 10px 0px; padding: 0px; color: rgb(242, 242, 242); font-family: Helvetica; font-size: 14px; line-height: 21px; caret-color: rgb(242, 242, 242); font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -moz-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; text-align: left;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eAmaya has long used the mantle of Maud the moth as an alter-ego, a séance-like conduit to explore themes of rootlessness, identity and trauma. \u003cem\u003eThe Distaff\u003c\/em\u003e in particular refers to the stick or spindle onto which wool or flax is wound for spinning, and an object which has historically been used across multiple cultures as a symbol wielded by the “virtuous woman”, an authoritarian ideal around which much of the trauma surrounding the feminine coalesces. The album takes the form of a sort of self reflective and surreal autobiography. It was in part inspired by the poem of the same name written by the Greek poet Erinna, as she mourns her friend's loss of individuality and agency in exchange for marriage - and therefore safety and acceptance in the eyes of society.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"x-size-12\" style=\"margin: 10px 0px; padding: 0px; color: rgb(242, 242, 242); font-family: Helvetica; font-size: 14px; line-height: 21px; caret-color: rgb(242, 242, 242); font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -moz-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; text-align: left;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eThe album exists in an ethereal but violent world of aesthetic overlaps where time stands still and fictional and reimagined folk sits at the table with Maud the moth’s usual sonic menagerie. 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Less a metaphysical journey into inner space, more a physical journey into the ground itself, converging with its roots and vibrations. Forged from repetition and mantric intensity and possessed of formidable psychic fortitude,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSongs from the Free House\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e- their fifth release for Rocket Recordings - proves that the only retro-chic Smote indulge in is liable to go back several centuries. The megalithic monomania of last year's A Grand Stream set a formidable precedent, and Smote's live shows in its wake have gradually built a reputation as visionary seers building audial monuments by cranked amplification and atmospheric intensity alike. 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It seemed to appear fully formed out of the ether, and became a local classic almost overnight, winning accolades such as 'Best Alternative Album' at the Iceland Music Awards, named 'Record of the Year' by Iceland's principal daily newspaper and recognised as one of the decade's 100 best albums by eMusic.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSpira\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis produced by Skuli Sverrisson, who also contributes bass and guitar. His mind- melting resume includes musical direction for Laurie Anderson, recordings with Blonde Redhead and work with artists such as David Sylvian, Jon Hassell, Ryuichi Sakamoto, Bill Frisell and Arto Lindsay. Davio por Jonsson contributes piano and guitar to the record- much as he did during Olof's busiest touring schedule nearly fifteen years ago when the two of them toured the world for months on end. 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